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FOCUS Newsletter - Winter 2003 - Issue 2  Page 2

Exhibition at Compton Village Hall
It was not necessary to wonder about the exact location of the Village Hall, because, on driving through the village, the eye-catching building was visible from a distance. A board at the front announced that here was the Art Exhibition. Two large banners, one proclaiming GODALMING PHOTOGRAPHIC CLUB and the other GODALMING ARTS SOCIETY flanked the wide front, together with bunches of balloons and streamers. The central double doors were invitingly open, and entry was free.

Immediately to the left upon entry a poster advertised "PAINTINGS IN THE NUDE (in the tea room) weather and vicar permitting. Please keep socks on for place to hold brushes". Was this a threat or a promise? My friends and I pondered this as we entered the main hall. Roger Much more had the details. The work apparently continued diligently in silence in a room somewhere at the back away from the sharp wind blowing through the open doors.

Two ranks of display screens, placed concertina-wise, ran the length of the hall, one covered on both sides by photographs and the other by paintings. The Great and the Good of Godalming Photographic Club had contributed a wide variety of images which had been skilfully hung in subject matter groups, so that it was interesting to compare the styles of different authors. Many of the exhibits have been seen in Club competitions, although some were new, at least to me. Seeing so many grouped together in this way gave a clear idea of the diversity of interests, subject material and forms of treatment which are used within the Club. Portraits, wildlife, landscape, flowers, pattern pictures were all represented, usually in portrait or landscape form, but the elusive, much acclaimed square was also there. The paintings were equally varied, but my thoughts on them are too unschooled to be given space here. I contented myself by taking a note of the authors as I went round to see how many names I recognised. There were many, and I found myself thinking, "I never knew he/she could paint like that!" Some photographs and paintings were for sale, although I heard several people mutter

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they would like a copy of one that was marked "Not for Sale". It is always the way.
The whole Club is greatly indebted, not only to the providers of the images, but to those who worked so hard to collect them and hang them to advantage, then to act during the day as stewards, particularly David Hampson, Ron and Sonia Head.

They and all the other visitors were happy to avail themselves of the teas and cakes etc. on sale to the side of the hall. The stage area was reserved for a display of craftwork for sale to the public. There were prints, greetings cards, gift cards and framed pictures, some being replicas of the work in the main exhibition. Exquisite needlework, in the form of embroidered bags and purses etc. some carvings were all there to be admired and possibly purchased for some lucky recipient. One of my friends was enchanted by Margaret Arnold's display of hand-painted silk scarves. She draped the one she bought round her collar and wafted out into the autumn sunset, looking like a latter-day Isadora Duncan. You had to be there to appreciate the full flavour of it all.
                                     Mary Kershaw

SPA Exhibition
Len Deeley will be looking out for images for the SPA exhibition; entries should be submitted to Len for selection by 15th December 2003

Surrey Rosebowl
This is taking place at Woking on Saturday 21st February, unfortunately details were not available as we went to press, please listen for announcements

The One that Got Away
David Hampson admitted to visiting his new grandchild and finding the batteries in his camera were flat…

There will be a small prize for the best story.

Merry Christmas

Merry Christmas and a very
Happy New Year
See you on 7th January

Happy New Year

FOCUS Newsletter - Winter 2003 - Issue 2  Page 2