Godalming Photographic Club - Competitions & Awards
Godalming Photographic Club

Club History
Club Programme
Competitions
Contacts
FOCUS Newsletter
How to Find Us
Links
Portfolios
Homepage
 

FOCUS:
Before 2005
Spring 05
Summer 05
Autumn 05
Winter 05
Spring 06
Summer 06
Autumn 06
Winter 06
Spring 07
Summer 07
Autumn 07
Winter 07
Spring 08
Summer 08
Autumn 08
Winter 08

Spring 09
Summer 09

Autumn 09
 

FOCUS Newsletter - Autumn 2009 - Edition 25  Page 2

"Where do you want me to look?"

Any photographer who's photographed a model has been asked this question. How you answer will make a big difference to your photography.

"Look at the lens."
This is how you make an easy and direct connection with the model. The photo will be direct - it says t the viewer "You! Look here, you want this." For these images to work you need a trustworthy-looking model to not make the viewer feel threatened.

"Look away from the lens."
Probably the most popular stock pose. The viewer is totally comfortable looking at the photo because he knows he is not being addressed, yet if the body of the model is still mostly facing the camera, there's still some sort of connection between the subject and the observer.

"Look up"
The subject is mostly reacting to his/her own thoughts and feelings, or carefree and unaware of his/her body language, usually on the positive side.

"Looking down"
Introverted and shy. It could be someone who's very personal or very sly. It also suggests that the subject is completely aware of being observed.

"I don't know, look anywhere."
Either the photographer is very inexperienced and doesn't know what they want, or they're very confident that the model will give them what they want.

"Let's try a few different things. First of all..."
This photographer has been making stock photos for some time...

David Southern

Professional Studio

The photo library I use has a professional studio near Arundel which is available for hire. I am looking into hiring it for a day on 8th November (Sunday). This will be 8 hrs and part of the time would include a model. In addition to that we could experiment with lighting and portraiture. It has excellent facilities (see www.pplmedia.com/studio/services.html). If we can get 10 people from the club I anticipate the cost to be around £25-£30 per person. At this stage I would appreciate you letting me know if you are interested.

Len Deeley

 < Page 1 

British Wildlife Centre
www.britishwildlifecentre.co.uk

On a gloriously hot and sunny August Sunday, a group of members met up at the British Wildlife Centre to photograph the animals.  
Red Squirrel

After the foxes, we came to the red squirrels, furry little bundles of energy that provided an interesting challenge to photograph.
The Photographers
  From there, we wandered down to the water voles. These tiny, elusive creatures live in holes in the bank and would pop their heads out, then duck back in.
With patience, some of the group managed to get images.

The voles share their habitat with other amphibians, including marsh frogs.

Probably the most photographed animals were the otters and their cubs.

 
The Frog

The adult otters are used to humans and being naturally curious they provided great photo opportunities.

After the otters, I wandered off to the new wetland centre and was treated to a spectacular flypast from a wild kingfisher. Some of the group spent much of the afternoon on kingfisher watch, but sadly, he didn't come back.

The Dell provided a shady spot for lunch and an opportunity to get up close to a hedgehog.

The afternoon was spent in the badgers' walk-through enclosure, more time with the otters and with the pine martens, extremely fast-moving and timid creatures.

Thanks to Debbie Adams for organising this trip.

Philippa Davies
Images by Jane Perry

 

Editor: Philippa Davies
FOCUS Newsletter - Autumn 2009 - Edition 25  Page 2